The other night a few of my friends and I decided we wanted to stay in and have a movie night. The debate over what to watch was hotly contested, but we finally settled on Up, the heartwarming Pixar movie about a grouchy old man (Carl) who goes on an adventure with a young boy (Russell). Part of the exposition of the movie is Carl's stubborn refusal to sell his old home to the developers building skyscrapers around him. This is a great example of a holdout; a developer who wants to build something on Carl's block, even having bought up the surrounding property, still needs to negotiate with him individually. The sentimental value that Carl places on his home is far more than market value, making him a difficult holdout to deal with and giving him inordinate power. The key difference between Carl's example and a true perfect holdout, however, is that ownership of the houses on the block is not truly shared. The developers can build around Carl's home on all of the adjacent properties they own, making his holdout more of a hindrance than a total barrier.
I was curious about the inspiration behind this story, and a quick Google search showed me that Up is loosely based on the story of Edith Macefield, a Seattle woman who allowed a shopping center to be built up around her house rather than sell it. She's far from the only real world example; there's a small leatherworks shop in my hometown that is in a similar position. Again, while these may not be perfect examples of holdouts due to home ownership on a block being an imperfect example of shared property, they are some of the clearest and simplest real world demonstrations we have. The power a single stubborn property owner can have over the development of a larger block of land closely resembles the power a single owner can have over shared property, which is the textbook definition of the holdout problem.
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